2019. Digital–analog print series. Cyanotype, scanning, archival ink jet. Developed at the Anderson Ranch Arts Center. Special thanks to Casey Reas.
Posts by RR:
2019. Animation. Single-channel, no sound. Printed matter scanned. 308 x 168 px, 1:43, loop.
2018. Generative video. Single-channel, with sound. Made with Processing. Developed at the Anderson Ranch Arts Center. Special thanks to Casey Reas. Premiered November 8, 2018 at Cucalorus Film Festival. 3840 by 2160 px.
I am a multidisciplinary artist and graphic designer, interested in experimental approaches to design, imaging, writing, publishing, and research. My screen- and projection-based, collage, drawing, typographic, code, and print work offers perspectives on representation, data, narrative, body and space. I am focussed on the material trace of images, and on disrupting conventions and expectations connected with maps, web- and time-based visual forms, and the constructions of archives. My work is motivated by a concern for the ways violence and conflict is visualized in culture, for navigating with empathy and for building different systems. The various layers of my research examine our understandings of cultural, technological, and environmental events, and our individual connections to our private human scales of life, aesthetics, and perspectives of time and place.
For more information on what I am currently working on, see @studiorachele
2015 (August). Presentation and workshop given, “Sensibility and the Shifting Perception of Place” in Rio de Janeiro, Brazil as part of the Mapping Ephemeralities/Ephemeral Cartographies conference.